Project 3: Image Combine

Up to this point we have explored the singular and the extended image.

For this project we will explore how a single "image" may be comprised of or constructed from multiple source images.

There is a long history of this kind of practice dating back to photography's beginnings, with the work of Oscar Rejlander.

While images can be combined to create a pseudo-realistic composite, you can also work within a more expressive or abstract space. In is realm of painting/collage/multimedia, Robert Rauschenber's combines are a good example:

Other examples:

Diane Fenster

Istvan Horkay

Yours Truly

Alternatively, you might find success with the "indecisive moment" that compresses multiple points of time into one image.

For this project create a combine image that engages strongly and boldly with one of the common themes of contemporary art (time, place, spirituality, identity, science, body, language, etc.) and/or the human condition (war, peace, religion, mythology, etc.). Its great to start with the personal, but see if you can extend the meaning of the work to something universal.

The final image should have at least three source images worked into a cohesive whole with a strong design. All of source imagery should support the theme visually and conceptually—choose creatively.

Source material can be:

• Digital photos
• Scanned photos
• Scanned objects (fabrics, textures, old letters, etc.)
• Synthetic (computer generated) objects or textures

Work will be evaluated on:

• Photography and Design
• Fresh and original take on your theme or concept—does the concept come through in a creative and engaging way?
• Photoshop skills (use of layer masks, blending modes, advanced blending, colorizing layers, etc.)

Due dates:

3/7 Progress critique. At least three variations, all different

3/23 Final image due, file and print